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German Great Artist Mathis Grunewald - A Year in the Life 1515

Posted by Art Of Legend India [dot] Com On 11:00 PM
A Year in the Life 1515 

French victory, From the start of his reign in 1515, the new French King, Francis I, was determined to recover Milan. Despite having four armies ranged against him, he slipped into Italy using an unexpected route and joined battle with the Swiss at Marignano, south east of Milan on 13 September. Two days of fighting the reputedly invincible Swiss army ended in victory for Francis, through the use of artillery and the timely arrival of his Venetian Allies. But his victory was short-lived.
The year 1515 saw the newly crowned French King, Francis I, more concerned with winning glory in Italy than making political capital from the marital exploits of Henry VIII's two sisters. Meanwhile, Francis' victory at Marignano and the publication of Lives of Obscure Men showed up the weakness of the papacy.

Grunewald and many of his contemporaries were becoming increasingly disillusioned with a church that gave more attention to matters temporal than spiritual. In 1515, the year the artist completed his Isenheim Altarpiece, another German attacked the heart of the matter with the anonymous work entitled Lives of Obscure Men. This notorious satire purported to be a series of letters written in support of the Dominican monks who were attempting to suppress the study of Hebrew; but in truth it attacked the ignorance and narrow-mindedness of the monks and the corruption rampant in the Church. The book's popularity was one of many manifestations of dissatisfaction with the state of the Church under the Medici pope, Leo X. His swelling of the Vatican coffers through increased sale of Indulgences to finance the political ends of the papacy and his own family, led two years later to Luther's campaign against abuses, and ultimately to the Protestant Reformation.

Royal romance, When the old king of France, Louis XII, died on New Year's Day 1515, his young wife secretly rejoiced. Mary Tudor was now free to marry for love, her chosen partner being Charles Brandon, Duke of SOO& Her brother, Henry VIII of England, was initially against the match but in 6 the face of Mary's determination he gave way and they married in May.
Hindsight shows how significant these events were, but at the time dynastic politics seemed far more important. Two incidents during the year involved England's Henry VIII and his two sisters, Margaret and Mary Tudor.

TWO HEADSTRONG PRINCESSES 

Margaret Tudor had married James IV of Scotland who died at the battle of Flodden Field in 1513. Her subsequent marriage to the Earl of Angus alienated the Scots nobility and resulted in her being prevented from acting as regent and guardian of the future James V. She fled to England in the autumn of 1515, arriving at Henry's Court at London the following year.

Renaissance prince, The crowning of Francis I in January 1515, inaugurated a spectacular and culturally brilliant reign. It was primarily through his efforts that France became established as an artistic centre, attracting artists of the calibre of Cellini and Leonardo. The focus of Francis' patronage was the rebuilding and decoration of the royal hunting lodge at Fontainebleau. Italian architects were also imported to transform medieval chateaux into Renaissance palaces.
Her sister Mary had, in the meantime, been married against her will at the age of 18 to Louis XII of France. To her relief her ageing spouse breathed his last on New Year's Day 1515 after 81 days of wedlock. The young widow could now hope to marry the man with whom she already had a secret understanding Charles Brandon, Duke of Suffolk. Despite a promise from Henry that she could marry whom she pleased on Louis' death, Mary knew that it would be hard for him to give up such a useful diplomatic tool as a marriageable royal sister.

Suffolk was deputed to head the English embassy sent to France to congratulate the new King Francis I on his accession. Matters were complicated for the lovers in that Suffolk had promised his King that he would delay action until his return and Francis was making advances to the young widow. Under pressure, Mary acted quickly, telling Brandon that he must marry her immediately, in France, or not at all. The erring couple was allowed to return to England and their union was openly solemnized at Greenwich on 13 May.

Selim the Grim, Tins particular Ottoman ruler was notable for his bigotry and cruel ambition. He assumed the sultanate after murdering his father Bayazed II, and in the nine years that followed, proceeded to nearly double the size of his empire. In 1515, after defeating the Persian Savafids, the rapacious Selim turned south and east, taking Jerusalem and ultimately Egypt during his short-lived career. Suffolk was supported during these difficulties by Henry's chief minister, Thomas Wolsey, Archbishop of York who in 1515 was at the height of his career. Created Cardinal by the Pope, later in the year he was made Lord Chancellor by Henry VIII. Wolsey's Cardinal's hat was, in fact, a bribe from Leo X to ensure English support of his alliance with the Emperor Maximilian and Ferdinand of Spain against the new French King. At 22, Francis I dreamed of winning instant glory in Italy, where previous French kings had several times seized and lost the powerful duchy of Milan. To make good the French claim, Francis would have to defeat the Swiss mercenary army supporting the incumbent Sforza Duke. Swiss pikemen were generally regarded as the best soldiers in Europe.

Francis' first campaign was a brilliant success. His army pioneered a new route across the Alps, to emerge behind the waiting Swiss, who hastily withdrew to Milan. Then, at Marignano, a decisive two-day battle showed up Swiss neglect of cavalry and, above all, artillery. A victorious Francis became Duke of Milan and was confirmed in this title by the Emperor at the Treaty of Brussels the following year. Pope Leo X was forced to come to terms with him at Bologna. It was a splendid beginning to the reign but also the beginning of what proved to be a generation of wasted French efforts in Italy.

Writer – Marshall Cavendish
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