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French Great Artist Paul Gauguin -The Lure of Tahiti

Posted by Art Of Legend India [dot] Com On 4:57 AM

The Lure of Tahiti

With its wonderful natural harbour at Matavai Bay, the island of Tahiti became the centre for early voyages to Polynesia. This picture, painted in 1773 by William Hodges, Captain Cook's artist on his second voyage, shows Cook's ships, HMS Resolution and HMS Adventure in the bay.
The jewel of the vast Pacific Ocean, Tahiti was famed as a paradise
on earth long before Gauguin visited its shores. European sailors
had savoured the island's pleasures since the days of Captain Cook.

In 1890, Gauguin wrote to a friend 'I am leaving for Tahiti, where I shall hope to end my days.' His decision was influenced partly by the fact that Tahiti was as far away from Paris as it was possible to get,, but also by the stream of enthusiastic reports reaching Europe from travellers who had visited the hauntingly beautiful island.

The unspoiled paradise of Gauguin's dreams, however, had vanished long before he reached the capital Papeete in 1891. There were church bells and gendarmes awaiting him as well as lovely garlanded maidens, stolid French housewives preparing old-fashioned country meals as well as carefree islanders living free off taro, yam and breadfruit. The 'mysterious beings' he had imagined before his arrival managed to consume 45,000 gallons of island rum and 65,000 gallons of imported claret each year.

Poedua was a Ra'iatean princess, painted in 1777 by Cook's artist on HMS Resolution John Webber. She epitomizes the beauty of Tahitian women: delicate tatoos decorate her arms, and in her right hand she holds a fly whisk.
But the place itself was too lovely and the people too resilient for either to be spoiled completely. Communications were so bad that Europeanized Papeete could not make much of an impression on the rest of the island. Even today the only real road follows the coast, and in the 1890s, the interior was largely trackless. In rural districts, people lived much as they always had, by fishing or small-scale farming.


Tahiti had a mesmerizing effect on Gauguin, as it had on other European visitors since its discovery by Britain's Captain Samuel Wallis in 1767. An extinct volcano lost in the immensity of the South Pacific, its lush, green slopes rise to a 7,349-foot peak, high above a shoreline ringed by coral reefs that enclose lagoons swarming with fish. But it was the island's inhabitants who made the greatest impression on the early explorers. They were handsome and easy-going people, Polynesians whose ancestors had settled around 4,000 years ago. In Tahiti they had evolved a lifestyle that Westerners, accustomed to the drudgery g. of their own societies, saw as a kind of paradise. The climate, though a little damp, was balmy and reasonably cool by tropical standards. Fish and shellfish, breadfruit and bananas seemed to be had for the asking, without labour. There was little need for clothing. And as Wallis and his crew discovered to the captain's horror and the men's delight the languid young women of the island were only too willing to exchange their favors’ for some trifling gift. Iron nails were the favoured currency: by the time Wallis sailed for home after a F month's sojourn, the fixed bayonets of his Royal Marines were barely enough to stop his men prising out every iron fastening in the ship.

British seamen arriving at Tahiti soon learned that the beautiful island women were usually only too pleased to exchange their favors’ for gifts. But approaching the wrong woman could be very dangerous, and even result in death.
While Wallis, a tough but unimaginative officer, was preparing his report for the Admiralty, an explorer with a more philosophical turn of mind 5 was making his landfall on Tahiti. Louis Antoine de Bougainville was not only a soldier and a navigator. He was also steeped in the new ideas sweeping 18th-century Europe. And in Tahiti he found a reality to match philosopher Jean-Jacques Rousseau's ideal of the noble savage of man at peace with nature.

Bougainville and his crew were welcomed as Wallis had been. 'They pressed us to choose a woman and to come on shore with her,' he wrote, 'and their gestures, which were unmistakably clear, denoted in what manner we should form an acquaintance with her.' His naturalist, Philibert Commerson, enthused about 'natural man, who is born essentially good, free of every prejudice, and who follows, without defiance and without remorse, the gentle impulses of instinct not yet corrupted by reason.'


Commerson's was a notion that endured until Gauguin's time and after. But although it contained a germ of truth, it was largely illusion born out of wishful thinking. For life on Tahiti was no idyll. The islanders did not use the leisure time granted by their comfortable environment to live the kind of rapturous, untrammelled existence dreamed of by European philosophers. Instead, with or without assistance from 'the gentle impulses of instinct', they had created a fierce warrior society that indulged in slavery and human sacrifice.

Tahitian religion centred on the worship of gods and ancestral spirits and could involve human sacrifice. Sorcerers used wooden images, known as ti'i, when mobilizing the spirits to harm their enemies.
Nor did the blithe promiscuity of many young Tahitian women mean that they were devotees of free love. In fact, the Tahitians had a complex set of rules for sexual behavior inside and outside marriage, which even today anthropologists have not fully elucidated. a European who made an enthusiastic grab for the wrong woman could and often did pay for it with his life.

Nevertheless, the island never lost its seductive fascination. Captain James Cook, who visited it in 1769, was reduced to holding Tahitian chiefs hostage to obtain the return of deserters from his ship and Cook was a well-loved leader. In 1789, the contrast between Tahitian life and Royal Naval discipline was enough to provoke the celebrated mutiny on HMS Bounty. Regardless of its flaws, paradise Tahiti-style was better than life on ship.

But the coming of the Europeans was itself enough to put an end to the old way of life. The newcomers brought syphilis, a poor return for the island women's affections. They brought measles and smallpox and a host of other diseases to which the Polynesians had little or no resistance. They brought rum. And unscrupulous and well-armed Europeans took sides for their own advantage in the island's internal quarrels, which were bloody enough already without their help.


The results were quite devastating. According to some estimates, Tahiti's 402 square miles supported as many as 150,000 people before the Europeans came. By the end of the century the population had crashed to 15,000; by 1830 it had fallen to 8,000.

Missionaries did their own kind of damage. Their first settlement was established in 1797, and although they did their best to protect their flocks from the ravages of drink and disease, they eventually succeeded in undermining the local traditions that any society needs in order to keep its self-respect. The islanders were told of the evils of nakedness and fornication, and introduced to the doctrinal distinctions between Calvinists and Catholics and all the other Christian sects.

An early photograph shows the Royal Family Western-style clothing outside their residence on the island of Raiatea. Before the advent of Christianity, the nearby island had been Tahiti's centre of worship.
Outright colonization followed. Anglo-French rivalry ended with a half-hearted French Protectorate established in 1843; the last Tahitian king with any pretence at independence abdicated in 1880 and in that year the island became a full French colony.

Tahiti's fate could have been much worse. By 19th-century standards, the colonial administration was efficient and humane. Outside the capital of Papeete, French was seldom spoken, and disputes were more likely to be settled by ancient tribal law than official regulations. Christianity had successfully driven out the old pagan worship, and even the names of ancient gods had been forgotten; but although Tahitians had become regular church-goers, traditional festivals of song and dance had survived.

A cold observer would see that imported, factory-woven cloth had replaced native products, that there was much hymn-singing, that bit by bit the population was beginning to drift towards the modestly bright lights of Papeete. But a painter would see what his mind wanted to see. Paradise, like beauty, was in the eye of the beholder. 

Writer – Marshall Cavendish

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